Gratitude

flowers, human figure, nature

Gratitude, acrylic on canvas, 63 by 56 in. Emilia Kallock, 2018

I drew inspiration for this piece from Gauguin’s “Jacob Wrestling With The Angel” 1888. Overall, it is an image to serve as a meditation guide beginning with an element of gratitude.  Gratitude for trees, flowers, love, the Divine Feminine, the Divine Masculine, dancing, fish (salmon), birds and totem animals (seen behind the human figures).  Gauguin stated: “Don’t copy nature too much.  Art is an abstraction; derive this abstraction from nature while dreaming before it, and think more of the creation which will result (than of the model). This is the only way of mounting toward God – doing as our Divine Master does, create.”

Jacob Wresting With The Angel, 28 by 36 in. oil on canvas, Paul Gauguin, 1888

 

 

Forest Picnic 

Americana, northwest art, painting

Lounging Forest Salmon Picnic, watercolor and pen on paper, 12 by 9 in. Emilia Kallock, 2017

Masculino y Desayuno, watercolor and pen on paper, 9 by 12 in. Emilia Kallock, 2017

Trees Are Not Agricultural Products, watercolor on paper, 12 by 9 in. Emilia Kallock, 2017

Recumbent Bosque Portrait, watercolor on paper, 7 by 10.5 in. Emilia Kallock, 2017

amor, human figure, painting, watercolor

Two new paintings before heading off to Cascadia.  I updated Él with more color, handprints and glitter. In my opinion, much better.   Pictured: Personajes, watercolor and glitter on paper, 18 by 24 in., Él, watercolor and glitter on paper, 47 by 43 in. 2016

Americana, painting
Painting from Facebook, acrylic on industrial wallpaper,

Painting from Facebook, acrylic on industrial wallpaper, 47 by 55 in. Emilia Kallock 2016

The Painting from Facebook

This turned out to be an interesting piece.  It’s a collage from a ‘call for ideas of what to paint’ query among my Facebook friends. In this sense it is a collective piece, and not my own. Among the donated images I used an elderly woman as the central character, and formed a narrative from there. From what I can see, she abnegates all that which exploits life in an unethical and unsustainable way.