Initially this painting began with a lot of yin energy intentions, the portrayal of the girl and young woman with flowers and an essentially soft, floral, and peaceful energy, but the bold colors are more yang. I intend these two attributes balance each other. It is also a painting of hopeful regeneration with the planting of a pine tree sapling and the rope delineation from Shinto shrines (marking a sacred space in nature) and the background of prayer and praise emoji hands.
This new painting revisits my interpretation of romantic love by experimenting with the space of being in love. I was programmed to follow societal, parental and cultural definitions of the way love should progress. If it doesn’t go in this fashion, quick are we to dissect each other in shortcomings and failed expectations, however nuanced they are. When we follow this linearity, it becomes almost second nature to explore feelings of scarcity and inadequacy. With this painting, I’ve decided to flip that entire scenario and create an alternative space to contemplate love. I want to sustain a different consciousness where we can nurture the gift of love in whatever quantity or capacity it appears, without the need to define it. Here, the painting itself becomes a totem to this new approach, and the very act of painting becomes an exercise in pausing, to serve as meditation about all the ways love becomes a contribution. And when we amplify this path, unexpected avenues may appear.
Reception for new painting October 20th, 2018 5-9 pm
The Hideout, 1500 Boren Ave, Seattle, WA 98104
Self Portrait with Striped Shirt, Skagit Valley, oil on repurposed kitchen cabinet door, 19 1/2 by 15 1/2 in. Emilia Kallock 2018
A large piece, the little heart squiggles are each representative of wonderful wishes and creations, the two figures in receptivity and gracious prayer. A giant nasturtium in the background and giant crystals of all types in the front.
Studies for larger painting with nasturtium flower.
Stanwood Camano News Tuesday May 15th 2018
Swans and Music Notes Series, Notes from a turn of century voice lesson book- swans have already migrated North. A flower in the background.
Flower: shade forest flower, arms painted with watercolor and charcoal taken from old growth cedar tree stump -remained from clearings 100 years ago
I finished the classroom sign for my daughter’s first grade class. They named themselves The Eaglets.