Blockbuster Garden design scene, watercolor on paper
Why am I designing gardens? As I grow older I want to spend more and more time outdoors, and realize how important nature, beauty and relaxation are in our hectic lives. Gardens are living sculptures, and I love how each season yields different wonders to behold. There are so many living things available for planting and creating immersive worlds of natural beauty. All of my garden designs have a few things in common. I hope to make living environments where beauty, mystery and play are accessible to all people, and to bring awareness to the importance of spending time in nature. All the gardens are parks designed to be open to the public and free of charge. I chose specific trees, shrubs and flowers for their unique aesthetic qualities and relative low maintenance to flourish and work in tandem with nature. Their placement and beauty will continue to grow and increase with age. The gardens are designed to involve students and citizens in many ways by being fun and refreshing places to learn and participate in garden upkeep and plant education. I also intend on inviting participation to design
Garden Design notes, watercolor on paper
and build some structural elements such as walkway pavers, plant containers and sculptures. As illustrated in my paintings and notes, the gardens are designed to evoke certain moods. For example, in The Secret Garden, hidden entrances and a combination of flowers and vines, even if left unattended, will add a feeling of mystery and wonder. The Blockbuster Garden and Animated Garden utilize multiple plantings of each type of plant and tree to create saturated color and scent environments. The Blockbuster Garden also employs structures and sculptures to add an even more playful quality. In each garden, there will be a plaque paying homage and commemorating the preservation of natural ecosystems and wild places- which after all, are the world’s true gardens.
Even though I created this garden design painting in the states, it’s fitting I post about it now in Chile, initially inspired by the dreamy courtyard gardens at Huilquilemu – a large Spanish era colonial villa southeast of Santiago used for community festivals and currently under restoration by the local university. The garden in Chile was originally planted by a well traveled widow 150 years ago that brought plants from all over the world for her yard. When I visited, the space was a little wild, but that added to the mystery of the place. Araucaria (monkey Puzzle tree, indigenous to Chile) palm and pine shaded the geometric layout of the grounds.
finished Secret Garden Design, 50 by 50 in. watercolor on repurposed wallpaper, Emilia Kallock 2019,. Huilquilemu as well as the two parks in Seattle (Greenlake and Volunteers Park) created by the Olmstead Brothers in the early 1900s inspired greatly my “secret garden” design here. My painting explains the type of trees and plants to comprise the approximately 2 acre garden as well as the surrounding wall plantings and the 4 additional entrances besides the main gate. I chose the trees according to aesthetics and viability in the Pacific Northwest. My grandmothers in Chile and Washington State were both avid gardeners and both planted gardens where they lived, leaving a legacy of a large variety trees, plants and flowers. Many of these are drawn into the secret garden blueprint.
Leading from the heart, and remembering to do so in challenging times. A wish for the health of the forests, and for all animals that they may have access to humane living conditions . Little wish squiggles of other beautiful things. Topaz, olivine, and other precious gems. A friend took pictures of me in recumbent poses for figure guides. A giant nasturtium flower in the background painted with pigment I bought in Vietnam. Tree saplings on either side of the flower, symbolizing hope for the future. I actually watered a bunch of saplings yesterday, so maybe art mimics life or life mimics art-
Gratitude, acrylic on canvas, 63 by 56 in. Emilia Kallock, 2018
I drew inspiration for this piece from Gauguin’s “Jacob Wrestling With The Angel” 1888. Overall, it is an image to serve as a meditation guide beginning with an element of gratitude. Gratitude for trees, flowers, love, the Divine Feminine, the Divine Masculine, dancing, fish (salmon), birds and totem animals (seen behind the human figures). Gauguin stated: “Don’t copy nature too much. Art is an abstraction; derive this abstraction from nature while dreaming before it, and think more of the creation which will result (than of the model). This is the only way of mounting toward God – doing as our Divine Master does, create.”
Jacob Wresting With The Angel, 28 by 36 in. oil on canvas, Paul Gauguin, 1888
The Power Punch Painting; Peace, Joy and Glory, acrylic and glitter on canvas, 30 by 40 in. Emilia Kallock 2017
Some Trees I Saw In Chile, watercolor on paper, 11 by 9 in. Emilia Kallock 2016
Don’t You Know We’re Here to Save You? Isn’t That Obvious By Now?, watercolor on paper, 12 by 10 in. Emilia Kallock 2016
Plaza, 12 by 10 in. watercolor and pen on paper, Emilia Kallock 2016
Parque Ideas, watercolor and pen on paper, 10 by 12 in. Emilia Kallock 2016
A continued focus on flowers, trees and public parks while I am here in Chile. The following watercolors are observations on the peaceful vibe always felt in the well attended plazas. I also continue fantasizing about park designs which I feel would be like 3-D painting but with living things. The Jacaranda tree and the Bougainvillea vine are currently stealing my heart.
Picnic in the Park, watercolor and ink on paper, 7 by 9 in. Emilia Kallock 2016
Cal Anderson 2, watercolor and ink on paper, 7 by 9 in. Emilia Kallock 2016
Cal Anderson Park 3, watercolor and ink on paper, 7 by 9 in. Emilia Kallock 2016
Another set for In the Park series. Early evening at Cal Anderson, the late summer shadows long and an equal number of people walking or lounging. The same two guys were working out proudly and a group towards the left of Cal Anderson 3 assembled to smoke copious amounts of weed and another guy rolled by on a single-wheeled electric skateboard. Later that day a picnic dinner with Nathan at Volunteers Park to watch a theater troupe rehearse The Tempest among the pine trees.
Cascadia Plein Aire 3, watercolor on paper, 11 by 9 in. Emilia Kallock 2016
Cascadia Plein Aire 1, watercolor on paper, 11 by 9 in. Emilia Kallock 2016
Cascadia Plein Aire 2, watercolor on paper 9 by 11 in. Emilia Kallock 2016
Nathan Taking A Nap Nude in The Tent, watercolor on paper, 11 by 9 in. Emilia Kallock 2016
I produced only four live paintings during the Cascadia festival last weekend- three standing from the dance platform at the River Stage looking in various directions, and one of my friend napping in the hot tent at our campsite. There were simply too many fascinating beautiful things to focus on at this world class gathering in the forest. I plan to work of photographs for the next pieces.
Él, watercolor on paper, 47 by 43 in. Emilia Kallock 2016
Él, watercolor on paper, 47 by 43 in.
Michael and Eric Sitting on The Grass at Blooming Hearts, oil on wood, 8 by 7.5 in. Emilia Kallock 2016
Dome at Blooming Hearts, oil on cardboard, 9 by 10 in. Emilia Kallock 2016
Lounging at Blooming Hearts, oil on cardboard, 8 by 10 in. Emilia Kallock 2016
Paintings documenting a beautiful get together of people creating and celebrating art.