Informal Non Structured Joy Painting, acrylic and chalk pastel on repurposed Starbucks wallpaper, 54 by 55 in. Emilia Kallock, 2018
Some elements in this painting are: Xingfu, or Happiness in Chinese, a twinflower (known for female reproductive health, named after taxonomist Carl Linnaeus), a snail for taking time, Robot DJ for providing good music, the masked apple from Magritte’s painting, and reishii mushrooms for health and longevity. Non Structured in the desire to introduce themes in an unconscious, automatic, free flow way. Starbucks wallpaper purchased from Skagit Salvage, a 2nd use building supply store in Skagit Valley.
Initially this painting began with a lot of yin energy intentions, the portrayal of the girl and young woman with flowers and an essentially soft, floral, and peaceful energy, but the bold colors are more yang. I intend these two attributes balance each other. It is also a painting of hopeful regeneration with the planting of a pine tree sapling and the rope delineation from Shinto shrines (marking a sacred space in nature) and the background of prayer and praise emoji hands.
Even though I created this garden design painting in the states, it’s fitting I post about it now in Chile, initially inspired by the dreamy courtyard gardens at Huilquilemu – a large Spanish era colonial villa southeast of Santiago used for community festivals and currently under restoration by the local university. The garden in Chile was originally planted by a well traveled widow 150 years ago that brought plants from all over the world for her yard. When I visited, the space was a little wild, but that added to the mystery of the place. Araucaria (monkey Puzzle tree, indigenous to Chile) palm and pine shaded the geometric layout of the grounds.
finished Secret Garden Design, 50 by 50 in. watercolor on repurposed wallpaper, Emilia Kallock 2019,. Huilquilemu as well as the two parks in Seattle (Greenlake and Volunteers Park) created by the Olmstead Brothers in the early 1900s inspired greatly my “secret garden” design here. My painting explains the type of trees and plants to comprise the approximately 2 acre garden as well as the surrounding wall plantings and the 4 additional entrances besides the main gate. I chose the trees according to aesthetics and viability in the Pacific Northwest. My grandmothers in Chile and Washington State were both avid gardeners and both planted gardens where they lived, leaving a legacy of a large variety trees, plants and flowers. Many of these are drawn into the secret garden blueprint.
This new painting revisits my interpretation of romantic love by experimenting with the space of being in love. I was programmed to follow societal, parental and cultural definitions of the way love should progress. If it doesn’t go in this fashion, quick are we to dissect each other in shortcomings and failed expectations, however nuanced they are. When we follow this linearity, it becomes almost second nature to explore feelings of scarcity and inadequacy. With this painting, I’ve decided to flip that entire scenario and create an alternative space to contemplate love. I want to sustain a different consciousness where we can nurture the gift of love in whatever quantity or capacity it appears, without the need to define it. Here, the painting itself becomes a totem to this new approach, and the very act of painting becomes an exercise in pausing, to serve as meditation about all the ways love becomes a contribution. And when we amplify this path, unexpected avenues may appear.
Reception for new painting October 20th, 2018 5-9 pm
The Hideout, 1500 Boren Ave, Seattle, WA 98104
Tropical Flora in Sunroom
For this interior wall painting, the client wanted a tropical theme on one wall of her Pacific Northwest sunroom. I went with a papaya tree and simple palm fronds to give a feeling of relaxation and luxurious warm weather. She gave me a few ideas and pictures to work from, and as part of the service, I drew up a couple mock up paintings to visualize the scale and dimensions.
Butthole Licking 2 (Detail), watercolor on paper, 8 by 10 in. Emilia Kallock, 2018
Butthole licking 1 (Detail), watercolor on paper, 8 by 10 in. Emilia Kallock, 2018
Two new works to be added to the Eros section, password Pompeii.
It’s been forever since I’ve painted a bull- Beginning of a longhorn among cactus- commissioned painting 24 by 30 in. Oil
First of the 2016 One Up Mushroom Paintings sold!
Leading from the heart, and remembering to do so in challenging times. A wish for the health of the forests, and for all animals that they may have access to humane living conditions . Little wish squiggles of other beautiful things. Topaz, olivine, and other precious gems. A friend took pictures of me in recumbent poses for figure guides. A giant nasturtium flower in the background painted with pigment I bought in Vietnam. Tree saplings on either side of the flower, symbolizing hope for the future. I actually watered a bunch of saplings yesterday, so maybe art mimics life or life mimics art-
The Walking Eye, acrylic on industrial wallpaper, 47 by 53 in. Collaboration by Emilia Kallock with Verenice and Max, 2018
The Puzzle of Love and the Mysterious Blue Man, acrylic on industrial wallpaper, 47 by 53 in. Collaboration by Emilia Kallock with Verenice, 2018
Self Portrait with Striped Shirt, Skagit Valley, oil on repurposed kitchen cabinet door, 19 1/2 by 15 1/2 in. Emilia Kallock 2018
A large piece, the little heart squiggles are each representative of wonderful wishes and creations, the two figures in receptivity and gracious prayer. A giant nasturtium in the background and giant crystals of all types in the front.
Maude, oil on board, 18 by 24 in. Emilia Kallock, 2018