Landscape Design Painting

watercolor
Landscape Design with Parks, watercolor and pencil on paper, 14 by 14 in. Emilia Kallock 2021

Landscape design with land use suggestions to facilitate the preservation and access to wild, natural spaces in order to live a more beautiful, peaceful life in balance with biodiversity and nature.

Fish Painting

paintings
Hello We Are Fish, But Actually We Are Fish From The Dead

Hello We Are Fish, But Actually We Are Fish From The Dead, oil and acrylic on roofing paper, 36 by 51 in. Emilia Kallock 2021

Something Healed Me I Don’t Know What It Was

paintings, watercolor
Something Healed Me I Don’t Know What It Was, watercolor on paper, 13 by 15 in. Emilia Kallock 2021

My Outdoor Easel Painting Adventure: Cartoon Explanation and Finished Painting

cartoon, landscape, nature, northwest art, paintings

TODA

paintings
Thank You Facebook, watercolor and pencil on paper, 12 by 9 in. Emilia Kallock, 2020

Coyote on the Land Between the Two Rivers, Skagit and Stillaguamish

Americana, animals, landscape, northwest art, paintings

It was a still evening as the sun set over the bay on the landscape in front of my art studio, and I specifically painted this oil painting to celebrate the rare remaining coastal woods in the area that animals call home. Stanwood is the closest town to the south. We are at a crucial time where City and County Council’s decisions directly affect what happens to this land by either creating tax incentives for landowners to preserve wild spaces, create nature preserves, support the creation of self-subsistence rural home lots, or they can provide incentives for large corporate track home developers and businesses to alter the landscape forever. Other areas in the state that have preserved their way of life and have created large green spaces for habitat and recreation are the ones with the highest appeal and have the greatest tourist draw ($$). Their communities and businesses benefit immensely from visitor’s revenue. And they are not the only ones who benefit: so will the ecosystem and the wildlife that call this place home.

The Kiss

paintings
The Kiss, acrylic on industrial wallpaper, 55 by 70 in. Emilia Kallock, 2020
paintings
Untitled, (Owl, Hope, Acknowledgement and Ghosts) watercolor on paper, 24 by 24 in. Emilia Kallock, 2020

Untitled, (Fear, Love)

process, sketches
In dream study, one approaches one’s own fear with empathy. Watercolor on paper, 9 by 7 in. Emilia Kallock, 2020

Animals We Depend On

paintings

I Don’t Consume Food From Industrially Raised Animals Because it’s Fucking Gross and Mean, watercolor and pen on paper, 8 by 10 in. Emilia Kallock, 2020