Women on the Metro, Vancouver, oil on board, 24 by 18 in. Emilia Kallock 2017 I saw these two well dressed and impatient looking Asian ladies on the metro in Vancouver, Canada, and just had to paint them.
Full Moon (May) watercolor on paper, 18 by 24 in. Emilia Kallock 2017 It was a light breezy night outside my studio door, and I captured this scene of the moon, because I find paintings of the night mysterious and unique. The night sounds found their way into the moment. They remind us that it’s night on the other side of the world.
Untitled (Norwegian Gargoyles) charcoal and acrylic on industrial wallpaper, 66 by 53 in. Emilia Kallock 2017 The central, dual walking figure in this painting represents someone learning to face deep fears, as represented by the lower figures- all modeled from gargoyles on the Nidaros Cathedral in Norway. Once we have visited and reckoned (represented by the door) these heavy feelings (anger, despair, judgment, guilt, fear and shame) and they no longer rule our lives, we have space to let in love for ourselves and the environment around us, represented by the dandelions (that no longer need to be sprayed) and the forest (that can grow) the united hands (love for self and others). The cannabis leaves represent a similar trip from fear to euphoria, although it is not a remedy). The entire process of self realization is not an easy or simple one to take, so I wanted to memorialize the process to remind myself and others that nonetheless it is possible to do.
The Lamb, acrylic and aluminum paper on canvas, 70 by 50 in. Emilia Kallock 2017 How do we confront feelings of being a victim of something?
Mystery Woman and Tulip at Night, oil on canvas, 18 by 24 in. Emilia Kallock, 2017
Rosemaling Variation 2, acrylic on paper, 22 by 25 in. Emilia Kallock 2017 An adaptation of the traditional Norwegian decorative painting called rosemaling and Rorschach test technique.
Rosemaling Variation 3 with Rorschach, acrylic on vellum, 23 by 34 in. Emilia Kallock, 2017 An adaptation of the traditional Norwegian decorative painting called rosemaling and Rorschach test technique.
People on Beach, oil on board plein aire, 10 by 10 in. Emilia Kallock 2017 Done plein aire on Whidbey Island, WA of a group of school children and parents.
Children and Tree, oil on board, 11 by 11 in. Emilia Kallock 2017 Plein aire of students outdoors, Whidbey Island WA.
Children Drawing, oil on board, 10 by 10 in. Emilia Kallock 2017 plein aire of students outdoors.
Mountain Deities, acrylic on canvas, 48 by 52 in. Emilia Kallock 2017 I painted these two recumbent figures in confident declaration that forests, animals and wild ecosystems are to be respected and managed humanely and sustainably.
Wow Pow, There is Magic and I’m Going To Find It, acrylic on industrial wallpaper, 53 by 70 in. Emilia Kallock 2017
The Power Punch Painting; Peace, Joy and Glory, acrylic and glitter on canvas, 30 by 40 in. Emilia Kallock 2017 Mt Baker in the background, as viewed from close to where I live.
Chicken with Flowers and Futuristic Structures, oil on board, 14 by 18 in. Emilia Kallock 2017 When chickens can be respected as animals that give us food, and we can provide them with sunlight, space and humane growing environments we will also benefit as humans.
Woman with Arms Outstretched, acrylic on canvas, 24 by 18 in. Emilia Kallock 2017 A angry and sad woman striving to overcome those emotions by reaching back to grab peace and happiness (a flower behind her.)
In the Park, oil on board, 14 by 18 in. Emilia Kallock 2017 A continuation of my theme of glorifying and celebrating parks and community outdoor natural spaces and the happiness it brings people. This image I drew from a photograph I took of a couple in Chile lounging in one of the many green spaces and plazas. I added more flowers to form a whimsical and dreamy look.
Hummingbird and Flowers, 14 by 18 in. Emilia Kallock 2017 A variation on Michelangelo’s David and God
Love, Cry, Landscape, after the poem by Hadewijch of Antwerp, 13th c. watercolor on paper, 8 by 10 in. Emilia Kallock 2017 Woman as landscape and hills, connecting earth and humans as related ecosystems.
Thoughts in Brain, acrylic and glitter on paper, 38 by 42 in. Emilia Kallock 2017 We are the power of our thoughts, and positivity will bring more positive things.
Roses and Face, oil on board, 8 by 10 in. Emilia Kallock 2017
Sketches:
Nicolas on Picnic Blanket, watercolor on paper, 9 by 12 in. Emilia Kallock 2017
Alice, Sketch, pencil on paper, 8 by 6 in. Emilia Kallock 2017
Soothing Thoughts, pen and watercolor on paper, Emilia Kallock 2017
Study for Gargoyles Painting, pen on paper, 12 by 9 in. Emilia Kallock 2017
Moon Gaze Sketch, watercolor and pen on paper, Emilia Kallock 2017
Trees Are Not Agricultural Products, watercolor on paper, 12 by 9 in. Emilia Kallock, 2017
Masculino y Desayuno, watercolor and pen on paper, 9 by 12 in. Emilia Kallock, 2017
Lounging Forest Salmon Picnic, watercolor and pen on paper, 12 by 9 in. Emilia Kallock, 2017
Eros Among Clematis and Blueberries, watercolor on paper, Emilia Kallock, 2017
Study of Bougainvillea, Chile, watercolor on paper, 11 by 11 in. Emilia Kallock 2016
Don’t You Know We’re Here to Save You? Isn’t That Obvious By Now?, watercolor on paper, 12 by 10 in. Emilia Kallock 2016
Parque Ideas, watercolor and pen on paper, 10 by 12 in. Emilia Kallock 2016
Plaza, 12 by 10 in. watercolor and pen on paper, Emilia Kallock 2016
Playa Caleta Abarca, Chile, watercolor and pencil on paper, Emilia Kallock 2016
Beach in Chile, watercolor on paper, 8 by 10 in. Emilia Kallock 2016
Plaza Scene, watercolor and ink on paper, 7 by 5 in. Emilia Kallock 2017
Pintando en el Parque, watercolor on paper, 10 by 8 in. Emilia Kallock 2017
Antonia and Gabriella en Plaza Belloto, watercolor on paper 11 by 9 in. Emilia Kallock 2017
Tree in the Plaza, watercolor and pen on paper, 11 by 9 in. Emilia Kallock 2017
Plaza Villa Alemana, watercolor on paper, 11 by 9 in. Emilia Kallock 2017
Juegos Scene, Chile, watercolor on paper, 9 by 11 in. Emilia Kallock 2017
Theodora Painting in the Plaza, pen on paper, 14 by 12 in. Emilia Kallock 2017
Viña Del Mar, watercolor on paper, 10 by 8 in. Emilia Kallock 2017
Guitarist, chalk pastel and pen on paper, 6 by 10 in. Emilia Kallock 2017
Reading on the Beach, Chile, chalk pastel and pen on paper, 6 by 10 in. Emilia Kallock 2017
San Antonio, watercolor on paper, 11 by 9 in. Emilia Kallock 2016
Belloto Bus Stop, Chile, watercolor on paper, 11 by 9 in. Emilia Kallock 2017
Chile, Belloto 2, watercolor on paper, 11 by 9 in. Emilia Kallock 2017
Chile, Belloto 3, watercolor on paper, 11 by 9 in. Emilia Kallock 20
Chile, Guanaqueros, watercolor on paper, 11 by 9 in. Emilia Kallock 2017
Chile, Plaza Study, watercolor on paper, 11 by 9in. Emilia Kallock 2017
Chile, Plaza Couple Study, watercolor on paper, 11 by 9 in. Emilia Kallock 2017
Chile, Miramar, watercolor on paper, 9 by 11 in. Emilia Kallock 2017
Frenchface, watercolor on paper, 7 by 6 in. Emilia Kallock 2017
DJ Emmanuel, Frenchface, watercolor on paper, 7 by 6 in. Emilia Kallock 2017
Frenchface, watercolor on paper, 7 by 6 in. Emilia Kallock 2017
DJ Emmanuel, Frenchface, watercolor on paper, 7 by 6 in. Emilia Kallock 2017
DJ Emmanuel, Frenchface, watercolor on paper, 7 by 6 in. Emilia Kallock 2017
Frenchface At Revolver Bar, watercolor on paper, 7 by 6 in. Emilia Kallock 2017
DJ Emmanuel, Frenchface, watercolor on paper, 7 by 6 in. Emilia Kallock 2017
DJ Emmanuel, Frenchface, watercolor on paper, 7 by 6 in. Emilia Kallock 2017
Observing the Frontier Conference Sketch 2, pen on paper, 8 by 20 in. Emilia Kallock, 2017
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